This exhibition was a visual diary linking finished and unfinished paintings with a collection of earlier drawings; lithographic monoprints made from the surfaces of paintings provided a third index for the presence of time in images and materials.

Ocean, they never were, 2002-2023, oil, acrylic, acrylic spray enamel, beeswax, charcoal, and chalk on collage on canvas and cheesecloth with wooden stretcher frame, silk necktie, metal wire, scraps of denim, nylon, tulle dress and sequined fabric, nylon tarpaulin, leather gloves, nylon reflective fabric tape, cotton oxford cloth shirt, and U.S. Army polar fleece blanket; mounted with paper and tape collage and straight pins, approx. 65 cm x 50 cm x 14 cm

[detail of Ocean, they never were, 2002-2023]

Palm II, 2023, acrylic spray enamel on notebook cover [approx. 12 cm x 8 cm]

An Altar in someone’s air, 2012-2023. Oil, acrylic, acrylic spray enamel, beeswax, charcoal, and chalk on collage on canvas and paper mâché with wooden stretcher frame, wool herringbone jacket with acetate lining, found wood, silk necktie, cotton pajamas, chicken wire, scraps of cotton dress, transparent vinyl, nylon tarpaulin, cotton oxford cloth shirt, and U.S. Army polar fleece blanket; mounted with paper and tape collage and straight pins. Approx. 81 cm x 53 cm x 17 cm

Acts of devotion and concealment, 2015, collage with French curve [approx 34 x 24 cm]

Untitled (the field gathered up), 2023, lithographic monoprint on found gathered cotton tunic approx 29 cm x 25 cm

Two palms [with Mia Luna], 2016, paper collage with pen, tape and wax crayon  [approx. 42 x 24 cm]