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The Wordless series addresses books as bearers of meaning both as media and objects. Materials cover, consume, reconstitute and reinterpret texts as a way to approach the subject of how texts live in us and alongside us as objects of embodiment.

Book works 2014-15, Featured in “VISA Founder’s Exhibition”, Slide Room Gallery, 2014-15 [Pictured: Personal Affect(s), 2014, Painted papier-mâché, metal and mixed media assemblage with book. Approx. 24 cm x 16 cm]
Author Archives: johnluna
Studio, 2013-14





New work (Shelter series) at the Slide Room Gallery, Feb 26th-March 28th, 2016
21st Century Art @ The Vancouver Island School of Art
Thanks to everyone who helped to make this series a success. As the lectures developed I recognized that they could be taken much further, and now hope to expand them into a longer series in the future.
New work (writing and drawing-assemblage) appearing in Canyon 1.4, September 2015
Kickstarter campaign for Listing [2015]
I have just launched a Kickstarter campaign for my first published collection of poetry, Listing, coming out this October from Decoupage Publishing.
Your donation purchases a book in your choice of formats and covers costs for the first printing:
Panel talk with Gary Neill Kennedy, “Art School” at the Art Gallery of Greater Victoria [2015]
I will be giving a brief talk at the Art Gallery of Greater Victoria this Saturday, June 13th, in tandem with a presentation by Gary Neill Kennedy on the history of art schools.
Poetry appearing in Canyon (#1.2, May 2015)
Poetry reading for FERAL Collective: Almanac (curated by Toby Lawrence) at the Guild upstairs, May 8th, 7:45 PM [2015]
Poems from forthcoming book, Listing (Decoupage Publishing), published in Cordite 48.0: “Constraint”
Two poems from my first chapbook Listing (Decoupage Publishing, August 2015) have been published in Australian online journal Cordite. Guest editor Corey Wakeling has asked writers to respond to the theme of “constraint.”
Below are links to the poems, “OK’s and Equals part 3” and “Frames part 6.”
The approach to CONSTRAINT in these three (excerpted) long poems was through the consensual idioms of social media. The original long poem that started this cycle, “Thank You”, was actually composed out of materials generated originally as social media updates, posts and comments made by me or by my friends or acquaintances. “OK’s and Equals” was based on the kinds of statements (appeals, declarations, imagistic sketches, questions or invitations usually) I was used to making on social media, but purposefully withheld; instead, they composed a counter-dialogue to the culture of self-publication. These posts were aligned along the spine of older poetry cycle I had written years before, whose language provided the prompts that would normally have emerged from the dialogic character of social media. “Frames” used a similar strategy, but was organized into an informal stanza structure, whose vertical orientation seemed suitable to the original poem that had provided a ‘score’ of sorts for the posts: an elegy. Two more long poems followed. The five parts of the cycle have been collected under the title Listing by Decoupage Publishing and include a foreword by Michael Nardone. Listing will be printed and launched in the summer of 2014.




